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Showing results for tags 'painting'.
Found 11 results
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Title: Salmon Flats Medium mixed media on paper Size 15x11 " unframed $350.00 This painting is suggestive of a cityscape, with elements suggestive of a cityscape, yet it retains a subjective abstract quality. This allows it to be at home in a variety of environments and can fit almost anywhere to brighten up your home or office. It pairs well with others in this series or can be framed as a stand alone piece Note: The original painting has deckled edges and can be float mounted and comes unframed. I have found that most prefer to choose their own frames and matting.© Mildred King
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Title: Black and White Abstract Media acrylic on canvas Size 18 x 36" unframed Varied brush strokes creating movement, minimal color and subtly suggestive shapes make this painting interesting and adaptive to any environment.
© Mildred king
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Title: Upstairs Flat 3B Mixed media on paper Here is the second in this Pinks series, another variation on this theme. Part of my process is to break ideas down into smaller compositions that work together.
© Mildred Kiing
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Title: Le Bourgeon Media mixed media on paper Size Dimensions15.500 x 20.500 x 0.250 inches Price$360 The flower's bud embodies a freedom of expression, holding the promise of life, transformation. Vibrant colors in reds, black and yellows surround the subtle emerging flower bud. Original will ship mounted on foam-core to protect from bending
© Mildred King
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I am a new artist member of this site, and I joined in hopes that I would be able to connect and share ideas about other artist's work and the work that I produce. I look forward to creating strong bounds with fellow artists and look forward to viewing and showing art. I have linked two examples of my art so to give an idea of what kind of work I produce. I have also linked my web site. Thank you. http://rlouism.com/
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This painting was in my Grandfathers estate. It is signed by T. Fulop. Behind the name is either a "54" of "Sr". It's 35" wide and 24" tall. Does anyone know of this artist??
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It is a waste of time (and expensive art materials,) in trying to force yourself to paint when you are not in the mood. Here are a few personal tips on getting oneself motivated and finding the time to do some art: 1. Have a source of income other than art, so that you can paint when you feel like it - not just when you need money for food, rent and beer! 2. Have a bit of space, (a spare room, well-lit garage - or even just a corner of the living room if you are not lucky enough to have your own studio,) where you can leave all of your gear out. That way, when the mood strikes, you will not have the bother of getting all your art materials and accoutrements out before you can even start. This is a great way of maximizing your precious painting time... 3. Unplug the computer! 4. Unplug the TV 5. Put on some nice music. 6. Take the dogs for a walk first. Get them tired-out - and then you can concentrate on your art! 7. Open a can of cold beer or a bottle of nice red wine. 8. Get some painting done before you fall asleep!
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I recently purchased a painting from goodwill (kind of vintage looking) I think it might be by an artist who was experienced in hand painting reproductions of famous artworks. I found another painting that was a reproduction of "The First Kiss" and was sold with the same signature as the artist on my painting (which was also sold to soneone on goodwill). I have tried to research this artist but have been unsuccesful. I guess my question is, does anyone know the name of this painting, or what is it a reproduction of? Or perhaps, does anyone recognize the signature. I am planning to keep this painting concidering that reproductions are a highly priced item sometimes, and it is soo beautiful. But since I know that the artist does reproductions, I really want to know if this is a repo. too, or an original of the artist. Thank you for any response back. With all the ship paintings to research, after a while, they are starting to look the same.
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On Saturday, November 19, graffiti artist POSE and photojournalist KC Ortiz will unveil Whitewash, their second exhibition at Known Gallery, and their most cohesive to date. For POSE, Whitewash references society’s attempt to eradicate graffiti and stifle human expression. “Shortly after I started writing graffiti, Chicago took an extremely hard-line stance on its eradication, outlawing the sale of spraypaint and implementing Mayor Dayley’s Graffiti Blasters program,” POSE explains. With this exhibition, POSE will recall a time before the buff. “I am digging into my fondest childhood memories of riding the train and seeing all the colors, letters and cartoon characters along the lines. Making these paintings has been an incredibly rich process, and it makes me thankful that no city official can eradicate my memories.” POSE will show 15 new works in the main gallery. The work is rendered in his signature style—aggressive, hand-painted collages of pop-culture icons and ephemera—but feature deeper abstractions and new mediums. “I have six paintings on Plexiglass that were kind of an experiment,” POSE explains. “I wanted to be challenged by a new medium and process.” For KC, Whitewash is about the people and places he photographs. “Much of the work I do covers those who have been ‘whitewashed,’ so to speak, by history and policy,” KC notes. “Specifically, the work I will be exhibiting is from West Papua and Burma. You won’t find either of those ‘nations’ on the map, as both have been essentially ‘whitewashed’ away. Burma has been renamed Myanmar by its ruling junta in order to establish the fantasy of a unified nation, and West Papua has been occupied by Indonesia since 1963 after a very controversial handover from the Dutch that was orchestrated by the United States.” In the project room, KC will show 12 photographs of West Papua and Burma’s armed struggles. “The struggles are unified in their nature under the theme of resistance, the victimhood of whitewashing by the world at large, the beauty of their people, and the strength of the human spirit and dignity,” KC notes. About the artists: POSE Hailing from The Windy City, POSE has made an indelible mark on a multitude of cities around the globe. Best known for his progressive letter style and technical precision, POSE is an influential contributor to the contemporary graffiti movement, and his work has appeared in numerous magazines, books and films. POSE grew up a half block from the CTA’s elevated train line, and started sneaking out to practice graffiti there in 1992. Coming of age during the golden era of Chicago graffiti, POSE put in endless work on the streets. His prolific output led him to become a local legend, and the city’s most internationally recognized graffiti artist. In addition to his achievements in graffiti, POSE set out to conquer every medium visual art has to offer—both on and off the streets. His artistic exploration led him to become a jack of all creative trades, with successful endeavors in the commercial and fine art worlds. POSE currently lives and works in Chicago, Illinois. He is a member of the acclaimed West Coast artist collective The Seventh Letter, as well as a founder of his own Chicago based design and art firm We Are Supervision. He has traveled internationally on his own and with The Seventh Letter, specifically to showcase his skills as one of the best graffiti artists out there. Almost two decades into his artistic career, POSE shows no signs of slowing down. KC Ortiz KC Ortiz is an award-winning, self taught photojournalist with a split base between his hometown of Chicago, Illinois and Western Thailand. Ortiz’s work focuses on the world’s forgotten and overlooked people and issues. He has covered conflict throughout Southeast Asia, focusing on the human suffering and the policies that enable conflict, as well as humanitarian issues throughout the world. The aim of his photography is to bring awareness to the masses of those that are suffering most, often times completely unseen by the majority. His work has appeared in A-Magasinet, Global Post, Juxtapoz, Newsweek, Time, The Wall Street Journal, and many other publications across the globe. Ortiz’s work has been exhibited in a number of museums and galleries including The Newseum, The Corcoran, The Frontline Club, Known Gallery, Rivera and Rivera Gallery, Guerrero Gallery, and others. In 2011, Ortiz’s work was recognized with a first place award from the prestigious Pictures of The Year International. POSE & KC Ortiz | Whitewash Opening Reception Saturday, November 19, 2011 from 8‑11pm On View November 19 – December 10, 2011 Known Gallery 441 North Fairfax Avenue Los Angeles, CA 90036 T: 310-860-6263
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http://www.facebook....3&type=1&ref=nf This piece was inspired by several artists including J3Concepts and Kate McInnes, but it is actually the first painting I have ever created that I have not copied from somewhere else. I am quite proud of it, and plan on doing other pieces in a similar style in the future. However before I do, I would like some advice on what needs help and what I could improve. Anything and everything is helpful! (:
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Great Artist Tip for Painting Shadows
Margaret Stanton posted a blog entry in Painting in Prague Blog
In an early morning painting on the famous Charles Bridge in Prague, Czech Republic, the shadows are made up of warm colors. Artist, Rod Cameron, offers this insight into the color temperature that he used in the painting, and gives artists a good rule of thumb when selecting colors for shadows. At sunrise and sunset, the color of the light is changing very quickly. For even very ambitious plein air painters who manage to set up their easels at the crack of dawn, it's nearly impossible to finish the painting and capture the lighting effects on the landscape before it changes. And it's hard to remember exactly how it looked when you got the inspiration for your creation. Rod Cameron, travels with other artists all the way from his home on the Big Island in Hawaii to central Europe and the Czech and Slovak Republics, to paint in Prague. Knowing how to handle the shadows in certain colored light can be very helpful when painting en plein air, and the time and the light is moving too fast. Rod Cameron tells his students, "The magical light of Prague this early in the morning had a cool predominate cast, which brings the shadows to the warmer hues of the palate. Cool light equals warm shadows, or warm light gives cool shadows. This is the general rule." See Painting Even experienced plein air painting artists can benefit from this little reminder, especially when it's early, and you're in the moment. You want to capture the look and feel of cool, early morning, before the sun is up, and a few good rules of thumb can help take the guesswork out! "The incredible buildings of the city create an interesting sky line across the horizon and I used the tall statue on the left, which had a natural gaze into the scene and the focal points of the painting," said Rod Cameron while describing his painting titled, Charles Bridge. This Rod Cameron painting of the Charles bridge in Prague can be found on the web. Go ahead! Travel halfway around the world. Get up at the crack of dawn, and capture in your paintings the beautiful places that you travel to with confidence! The light may be changing too quickly, but the architecture, skylines and statues aren't. Create great value and color harmony with complimentary colors, then nudge the color in the shadows either warm or cool. Notice that it gives your shadows a "real presence". Painting Tip, Plein Air Painting in Europe, Expert advise on Painting, Painting Shadows, Painting workshop, Rod Cameron Art,
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